Artists
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Joyce Scott
Kendell Geers
Koen Vanmechelen
Massimo Lunardon
Ursula von Rydingsvard
Zhang Huan
Abir Karmakar
Andrea Salvador
Antonio Riello
Atelier Van Lieshout
Chafa Ghaddar
Charbel-Joseph H. Boutros
Chitra Ganesh
Chittrovanu Mazumdar
Daniele Genadry
El Ultimo Grito
Fred Wilson
Gigi Scaria
Hema Upadhyay
Hye Rim Lee
Jaber Alwan
Jaime Hayon
Jan Fabre
Jaume Plensa
Javier Pérez
Joost van Bleiswijk
Josepha Gasch-Muche
Justin Ponmany
Karen Kalou
Kiki van Eijk
Luke Jerram
Manjunath Kamath
Marta Klonowska
Marwan
Marya Kazoun
Michael Joo
Mithu Sen
N Pushpamala
Nabil Nahas
Nathalie Harb
Navin Thomas
Omar Fakhoury
Parul Thacker
Pascal Hachem
Pieke Bergmans
Poonam Jain
Prabhakar Pachpute
Raed Yassine
Ravinder Reddy
Rima Maroun
Sakshi Gupta
Sergio Bovenga
Shibu Natesan
Silvano Rubino
Sirine Fattouh
Siska
Soyeon Cho
Stéphanie Saade
Sudarshan Shetty
Thomas Schütte
Thukral & Tagra
Tomáš Libertíny

shokri najaf

Exhibits at Beirut Exhibition Center

Irandokht:

 

“One day outside the Statistic and Registration Administration in Tehran, I discovered piles of discarded identity cards by the dustbins. They were all of women born in the early 1940s, who were photographed in their youth. The astonishing diversity of hair-dos – only a minority wore a scarf or chador – reflected the variety of choices that women had in the late 1950s and 60s. The ID cards also represented the many different classes and personalities of women of the time, from shy and demure to upfront, confident and glamorous. 

 

When I found these pictures, sometime in 2005, I wondered whether these women had died, never renewed their identity or emigrated. It seemed to me that the government was most probably erasing evidence of our recent and distant past, for these photographs oppose the current dominant culture. I was shocked that these records of our community could be discarded so easily, without remorse. Photography is more about discovering than creating. Being a finder is the dominant, innate state. In Irandokht I have tried to stitch together another aspect of our history, one that is not about throwing away, ignorance and corruption. To me, discarding history reflects the intolerance and negligence of institutions in power. The Irandokht series invites the audience to face a certain period without any judgment. These women lived in Iran, and I feel I am in some way reviving and preserving their memory.”

 
2017
2018
2017
No exhibitions for this year
2018
No exhibitions for this year

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